Ten laws of simplicity for business, technology, and design that teach us how to need less but get more.

Finally, we are learning that simplicity equals sanity. We're rebelling against technology that's too complicated, DVD players with too many menus, and software accompanied by 75-megabyte "read me" manuals. The iPod's clean gadgetry has made simplicity hip. But sometimes we find ourselves caught up in the simplicity paradox: we want something that's simple and easy to use, but also does all the complex things we might ever want it to do. In The Laws of Simplicity , John Maeda offers ten laws for balancing simplicity and complexity in business, technology, and design—guidelines for needing less and actually getting more.

Tolstoy's epic masterpiece captures with unprecedented immediacy the broad sweep of life during the Napoleonic wars and the brutal invasion of Russia. Balls and soires, the burning of Moscow, the intrigues of statesmen and generals, scenes of violent battles, the quiet moments of everyday life--all in a work whose extraordinary imaginative power has never been surpassed. The Maudes' translation of Tolstoy's epic masterpiece has long been considered the best English version, and now for the first time it has been revised to bring it fully into line with modern approaches to the text. French passages are restored, Anglicization of Russian names removed, and outmoded expressions updated. A new introduction by Amy Mandelker considers the novel's literary and historical context, the nature of the work, and Tolstoy's artistic and philosophical aims. New, expanded notes provide historical background and identifications, as well as insight into Russian life and society.

Contents: A Day in the Country; Old Age; Kashtanka; Enemies; On the Way; Vanka; La Cigale; Grief; An Inadvertence; The Black Monk; The Kiss; In Exile; A Work of Art; Dreams; A Woman's Kingdom; The Doctor; A Trifling Occurrence; The Hollow; After the Theater; The Runaway; Vierochka; The Steppe; Rothschild's Fiddle.

Hamlet is Shakespeare’s most popular, and most puzzling, play. It follows the form of a “revenge tragedy,” in which the hero, Hamlet, seeks vengeance against his father’s murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. Among them: What is the Ghost—Hamlet’s father demanding justice, a tempting demon, an angelic messenger? Does Hamlet go mad, or merely pretend to? Once he is sure that Claudius is a murderer, why does he not act? Was his mother, Gertrude, unfaithful to her husband or complicit in his murder?

WINNER OF THREE EISNER AWARDS As Yorick Brown, the last man on Earth, begins to make his way across the country to California, he and his companions are forced to make an unscheduled stop in Marrisville, Ohio—a small town with a big secret.

Collects Y: The Last Man issues #6-10

The adventures of Yorick Brown continue in Y: THE LAST MAN: ONE SMALL STEP, collecting issues #11-17.

A Russian Soyuz capsule is coming down from the International Space Station carrying three passengers: one woman and two men. Could this be the end of Yorick's tenure as last living male?

As the Last Man on Earth and his companions continue to head West, the story takes a detour into the psychological.

In the care of a fellow Culper Ring member, Yorick Brown is forced to confront his tremendous feelings of survivor guilt that lead him to constantly put his life in danger. Once on the road again, the group runs up against a literal roadblock in Arizona, where the female remains of the Sons of Arizona militia have cut the interstate to keep out any vestiges of the U.S. government.

Yorick Brown, the last man on Earth, finally makes it to San Francisco where his unbalanced sister, Hero, finds him seemingly succumbing to the male-killing plague after losing his still-unused engagement ring to the burqa-clad agents of the Setauket Ring. But is the ring really the key to his survival? And what does it have to do with the mysterious Amulet of Helene, which the Setauket leader is determined to take from Agent 355 by any means necessary. Collects issues #24-31.

More than two years after the unexplained plague killed every other male mammal on the planet, the two exceptions - aspiring escape artist Yorick Brown and his pet monkey Ampersand - have traveled across the remains of the U.S. with biochemist Dr. Allison Mann and goverment operative Agent 355 to Dr. Mann's lab in San Francisco, where she managed to finally isolate the source of their immunity.

Unfortunately, that source is within Ampersand's body, which was last seen disappearing under the arm of a mysterious Japanese mercenary. Now, accompanied by 355 and Dr. Mann, the last man on Earth has embarked on a new and even more hazardous journey - following Ampersand's trail across the Pacific, where danger threatens from below as well as above the waves.

Collects issues 32-36

The saga of Yorick Brown, the last man on Earth, continues in PAPER DOLLS. In addition to catching up on the adventures of Yorick's monkey Ampersand (whose body holds the key to stopping the male-killing plague) and telling the origin of Agent 355, PAPER DOLLS chronicles Yorick and 355's search for Yorick's fiancee Beth in Australia -- a search that yields a large dose of unwanted publicity for the Last Man, and deadly consequences for those he cares for!

Collects Y: The Last Man issues #37-#42

The saga of Yorick Brown, an unemployed and unmotivated slacker who discovers he is the only male left in the world after a plague of unknown origin instantly kills every mammal with a Y chromosome. Accompanied by his mischievous monkey, Ampersand, and the mysterious Agent 355, Yorick embarks on a transcontinental journey to find his long-lost girlfriend and discover why he is the last man on earth.

This volume of the critically acclaimed series features Yorick and Agent 355 preparing for their ultimate quest to reunite the last man with his lost love, while the person, people or thing behind the disaster that wiped out half of humanity is revealed!

WINNER OF THREE EISNER AWARDS

Featured in THE NEW YORK TIMES and on NPR, Y: THE LAST MAN is the gripping saga of Yorick Brown, an unemployed and unmotivated slacker who discovers he is the only male left in the world after a plague of unknown origin instantly kills every mammal with a Y chromosome. Accompanied by his mischievous monkey, Ampersand, and the mysterious Agent 355, Yorick embarks on a transcontinental journey to find his long-lost girlfriend and discover why he is the last man on earth.

Yorick Brown's long journey through an Earth populated only by women comes to a dramatic, unexpected conclusion in this final volume. Collects issues #55-60 of Brian K. Vaughan and Pia Guerra's award-winning Vertigo series.

"Y" is none other than unemployed escape artist Yorick Brown (his father was a Shakespeare buff), and he's seemingly the only male human left alive after a mysterious plague kills all Y-chromosome carriers on earth.

But why are he and his faithful companion, the often testy male monkey Ampersand, still alive? He sets out to find the answer (and his girlfriend), while running from angry female Republicans (now running the government), Amazon wannabes that include his own sister (seemingly brainwashed), and other threats.

V must come to a decision about Evey, but it's one his young compatriot might not like. Plus, V breaks into a television station with an important message.

Evey Hammond has been taken prisoner! Thrown into a cell and questioned and tortured relentlessly, Evey must search for a way to keep herself alive and her spirit itself from shattering.

Evey feels betrayed by her involvement in Bishop Lilliman's murder and gives V an ultimatum. Meanwhile, the Fingermen come closer to unlocking the mystery of V's identity!

Evey is given a choice: confess and work with her captors or face death. It all leads to the truth of her abduction and the beginning of the final chapters of V's saga!

V continues his crusade against the tyrannical government of Great Britain, bombing another prominent building and attacking a Bishop. As Evey grows more comfortable with the vigilante, she falls deeper into his plot.

The final issue of writer Alan Moore and artist David Lloyd's acclaimed series! One may be able to kill a person, but an idea is bulletproof...

In a post-nuclear world, Great Britain has emerged as a Fascist state. When young Evey Hammond is saved by a mysterious masked stranger, she is pulled into his quest to fight back and overthrow the government.

The clone assassin has been played long enough–
now it’s more than a game.

Bred to kill, Agent 47 is The Agency’s most valuable assassin. So when a competing murder-for-hire organization decides to destroy The Agency, the first person they target for elimination is Agent 47. Tasking someone to off the best hitman in the business is one thing; getting the job done is another. When the attempt falls short, Agent 47 is ordered to track down and kill the culprit who is feeding vital information about The Agency to its enemies.

Agent 47 must follow a bloody trail halfway around the world, fight his way through the streets of Fez, Morocco, and battle slavers deep inside Chad. Then he will discover a shattering truth: If he fails at his mission, the price he’ll pay will be far greater than his own life....

In 1941, Astounding Science Fiction magazine published a short story by a little-known writer named Isaac Asimov. The story was called "Nightfall", and many years later it has long been recognized as a classic, its author a legend. Now, the Gran Master of Science Fiction teams with Robert Silverberg, one of the field's top award-winning authors, to explore and expand an apocalyptic tale that is more spellbinding today than ever before -- Nightfall: The Novel.

Imagine living on a planet with six suns that never experiences Darkness. Imagine never having seen the Stars. Then, one by one the suns start to set, gradually leading into Darkness for the first time ever. Kalgash is a world on the edge of chaos, torn between the madness of religious fanaticism and the unyielding rationalism of scientists. Lurking beneath it all is a collective, instinctual fear of the Darkness. For Kalgash knows only the perpetual light of day; to its inhabitants, a gathering twilight portends unspeakable horror. And only a handful of people on the planet are prepared to face the truth, their six suns are setting all at once for the first time in over two thousand years, signaling the end of civilization as it explodes in the awesome splendor of Nightfall.

Encompassing the psychology of disaster, the tenacity of the human spirit, and, ultimately, the regenerative power of hope, Nightfall is a tale rich in character and suspense that only the unique collaboration of Isaac Asimov and Robert Silverberg could create.

Now in paperback, the New York Times bestseller by one of rock's most provocative figures Scar Tissue is Anthony Kiedis's searingly honest memoir of a life spent in the fast lane.

In 1983, four self-described "knuckleheads" burst out of the mosh-pitted mosaic of the neo-punk rock scene in L.A. with their own unique brand of cosmic hardcore mayhem funk. Over twenty years later, the Red Hot Chili Peppers, against all odds, have become one of the most successful bands in the world. Though the band has gone through many incarnations, Anthony Kiedis, the group's lyricist and dynamic lead singer, has been there for the whole roller-coaster ride. Whether he's recollecting the influence of the beautiful, strong women who have been his muses, or retracing a journey that has included appearances as diverse as a performance before half a million people at Woodstock or an audience of one at the humble compound of the exiled Dalai Lama, Kiedis shares a compelling story about the price of success and excess.

Scar Tissue is a story of dedication and debauchery, of intrigue and integrity, of recklessness and redemption--a story that could only have come out of the world of rock.

Here is Oscar Wilde's most brilliant tour de force, a witty and buoyant comedy of manners that has delighted millions in countless productions since its first performance in London's St. James' Theatre on February 14, 1895." The Importance of Being Earnest" is celebrated not only for the lighthearted ingenuity of its plot, but for its inspired dialogue, rich with scintillating epigrams still savored by all who enjoy artful conversation.
From the play's effervescent beginnings in Algernon Moncrieff's London flat to its hilarious denouement in the drawing room of Jack Worthing's country manor in Hertfordshire, this comic masterpiece keeps audiences breathlessly anticipating a new bon mot or a fresh twist of plot moment to moment. A selection of the Common Core State Standards Initiative.

What was a nice Eton boy like Eric Blair doing in scummy slums instead of being upwardly mobile at Oxford or Cambridge? Living Down and Out in Paris and London , repudiating respectable imperialist society, and reinventing himself as George Orwell. His 1933 debut book (ostensibly a novel, but overwhelmingly autobiographical) was rejected by that elitist publisher T. S. Eliot, perhaps because its close-up portrait of lowlife was too pungent for comfort.

In Paris, Orwell lived in verminous rooms and washed dishes at the overpriced "Hotel X," in a remarkably filthy, 110-degree kitchen. He met "eccentric people – people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent." Though Orwell's tone is that of an outraged reformer, it's surprising how entertaining many of his adventures are: gnawing poverty only enlivens the imagination, and the wild characters he met often swindled each other and themselves. The wackiest tale involves a miser who ate cats, wore newspapers for underwear, invested 6,000 francs in cocaine, and hid it in a face-powder tin when the cops raided. They had to free him, because the apparently controlled substance turned out to be face powder instead of cocaine.

In London, Orwell studied begging with a crippled expert named Bozo, a great storyteller and philosopher. Orwell devotes a chapter to the fine points of London guttersnipe slang. Years later, he would put his lexical bent to work by inventing Newspeak, and draw on his down-and-out experience to evoke the plight of the Proles in 1984. Though marred by hints of unexamined anti-Semitism, Orwell's debut remains, as The Nation put it, "the most lucid portrait of poverty in the English language." --Tim Appelo

Released by Louisiana State University Press in 1980, A Confederacy of Dunces is nothing short of a publishing phenomenon. Rejected by countless publishers and submitted by the author's mother years after his suicide, the book won the 1981 Pulitzer Prize for Fiction. Today there are almost two million copies in print worldwide in eighteen languages. Now, for the first time, John Kennedy Toole's comic masterpiece is available in a large print edition. Toole's lunatic and sage novel introduces one of the most memorable characters in American literature, Ignatius Reilly, whom Walker Percy dubs "slob extraordinaire, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one." Set in New Orleans, A Confederacy of Dunces outswifts Swift, one of whose essays gives the book its title. As its characters burst into life, they leave the region and literature forever changed by their presence -- Ignatius and his mother; Miss Trixie, the octogenarian assistant accountant at Levi Pants; inept, wan Patrolman Mancuso; Darlene, the Bourbon Street stripper with a penchant for poultry; Jones the jivecat in spaceage dark glasses.

Included here is the introduction that writer and New Orleans resident Andrei Codrescu composed for the book's twentieth anniversary. Set in oversized type for ease in reading, the large print edition will gratify both first-timers seeking to discover this modern-day classic and longtime afficionados wishing to reread a favorite novel.

De enige geautoriseerde en volledige biografie van Steve Jobs. Walter Isaacson heeft de afgelopen drie jaar exclusieve en unieke gesprekken voerde met Jobs, zijn familie en vrienden, om een beeld van de mens Steve Jobs te krijgen. Maar Isaacson heeft ook gesproken met collega"s bij Apple en met zijn concurrenten, om een beeld van de zakenman te krijgen. Wie is de man die de wereld aan zijn voeten kreeg met Apple?

Walter Isaacson is de voorzitter van het Aspen Institute. In het verleden was hij onder meer hoofdredacteur van Time Magazine en CEO van CNN. Hij schreef eerder gezaghebbende biografieen van Benjamin Franklin, Henry Kissinger en Albert Einstein.

Turks Fruit, het hartverscheurende verhaal van de gepassioneerde maar onmogelijke liefde tussen Olga en beeldhouwer Eric, verscheen oorspronkelijk in 1969 en bracht een schok teweeg in de Nederlandse letteren. Niet alleen werden liefde, seks en dood tot zo'n pulserend en vitaal geheel gesmeed. De verfilming van Turks Fruit door Paul Verhoeven, met in de hoofdrollen Rutger Hauer en Monique van der Ven, werd uitgeroepen tot de beste Hollandse speelfilm ooit en kreeg in 1974 een oscarnominatie.

De mens is een beest, zeiden de koningen. Een zondaar, zeiden de priesters. Een egoïst, zeiden de boekhouders. Al eeuwen is de westerse cultuur doordrongen van het geloof in de verdorvenheid van de mens.

Maar wat als we het al die tijd mis hadden?

In dit boek verweeft Rutger Bregman de jongste inzichten uit de psychologie, de economie, de biologie en de archeologie. Hij neemt ons mee op een reis door de geschiedenis en geeft nieuwe antwoorden op oude vragen. Waarom veroverde juist onze soort de aarde? Hoe verklaren we onze grootste misdaden? En zijn we diep vanbinnen geneigd tot het goede of het kwade?

Adembenemend, weids en revolutionair – De meeste mensen deugen herschrijft niet alleen de geschiedenis, maar werpt ook nieuw licht op onze toekomst.

She is sent to an office building where she is tasked with watching the hidden-camera feed of an author suspected of storing contraband goods. But observing someone for hours on end isn't so easy. How will she stay awake? When can she take delivery of her favourite brand of tea? And, perhaps more importantly – how did she find herself in this situation in the first place?As she moves from job to job, writing bus adverts for shops that mysteriously disappear, and composing advice for rice cracker wrappers that generate thousands of devoted followers, it becomes increasingly apparent that she's not searching for the easiest job at all, but something altogether more meaningful..._______________'An irreverent but thoughtful voice, with light echoes of Haruki Murakami ... the book is uncannily timely ... a novel as smart as is quietly funny' - Financial Times'Polly Barton's translation skilfully captures the protagonist's dejected, anxious voice and her deadpan humour ... imaginative and unusual' - Times Literary Supplement

From one of the great thinkers and writers of our time, comes the highly anticipated final instalment in Deborah Levy's critically acclaimed 'Living Autobiography'
'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer on The Cost of Living

Following the international critical acclaim of The Cost of Living , this final volume of Deborah Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it.

'I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it - but we must also knock it down.'

'Wise, subtle and ironic, Levy's every sentence is a masterpiece of clarity and poise... A brilliant writer' Daily Telegraph on The Cost of Living

'Extraordinary and beautiful, suffused with wit and razor-sharp insights' Financial Times on The Cost of Living

Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning.

In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life— Twin Peaks , the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.

A searing and brave memoir that offers a new understanding of suicide as a distinct mental illness. As the sun lowered in the sky one Friday afternoon in April 2006, acclaimed author Donald Antrim found himself on the roof of his Brooklyn apartment building, afraid for his life. In this moving memoir, Antrim vividly recounts what led him to the roof and what happened after he came back down: two hospitalizations, weeks of fruitless clinical trials, the terror of submitting to ECT—and the saving call from David Foster Wallace that convinced him to try it—as well as years of fitful recovery and setback. Through a clear and haunting reckoning with the author’s own story, One Friday in April confronts the limits of our understanding of suicide. Donald Antrim’s personal insights reframe suicide—whether in thought or in action—as an illness in its own right, a unique consequence of trauma and personal isolation, rather than the choice of a depressed person. A necessary companion to William Styron’s classic? Darkness Visible, this profound, insightful work sheds light on the tragedy and mystery of suicide, offering solace that may save lives.

A transfixing novel about two unforgettable characters seeking to free themselves--one from the expectations of women in early 20th century Punjab, and the other from the weight of life in the contemporary Indian diaspora

Mehar, a young bride in rural 1929 Punjab, is trying to discover the identity of her new husband. Married to three brothers in a single ceremony, she and her now-sisters spend their days hard at work in the family's "china room," sequestered from contact with the men--except when their domineering mother-in-law, Mai, summons them to a darkened chamber at night. Curious and strong willed, Mehar tries to piece together what Mai doesn't want her to know. From beneath her veil, she studies the sounds of the men's voices, the calluses on their fingers as she serves them tea. Soon she glimpses something that seems to confirm which of the brothers is her husband, and a series of events is set in motion that will put more than one life at risk. As the early stirrings of the Indian independence movement rise around her, Mehar must weigh her own desires against the reality--and danger--of her situation.

Spiraling around Mehar's story is that of a young man who arrives at his uncle's house in Punjab in the summer of 1999, hoping to shake an addiction that has held him in its grip for more than two years. Growing up in small-town England as the son of an immigrant shopkeeper, his experiences of racism, violence, and estrangement from the culture of his birth led him to seek a dangerous form of escape. As he rides out his withdrawal at his family's ancestral home--an abandoned farmstead, its china room mysteriously locked and barred--he begins to knit himself back together, gathering strength for the journey home.

Partly inspired by award-winning author Sunjeev Sahota's family history, China Room is at once a deft exploration of how systems of power circumscribe individual lives and a deeply moving portrait of the unconquerable human capacity to resist them. At once sweeping and intimate, lush and propulsive, it ** is a stunning achievement from a contemporary master.

Born two years after her parents' only son died just hours after his birth, Kat Chow became unusually fixated with death. She worried constantly about her parents dying -- especially her mother. One morning, when Kat was nine, her mother, a vivacious and mischievous woman, casually made a morbid joke: When she eventually dies, she said laughing, she'd like to be stuffed and displayed in Kat's future apartment in order to always watch over her.

Four years later when her mother dies unexpectedly from cancer, Kat, her two older sisters, and their father are plunged into a debilitating, lonely grief. With a distinct voice that is wry and heartfelt, Kat weaves together what is part ghost story and part excavation of her family's history of loss spanning three generations and their immigration from China and Hong Kong to America and Cuba. This redemptive coming-of-age story uncovers the uncanny parallels in Kat's lineage, including the strength of sisterhood and the complicated duty of looking after parents, even after death.

Seeing Ghosts asks what it means to claim and tell your family's story: Is writing an exorcism or is it its own form of preservation? What do we owe to our families in our grief, and how does it shape us? In order to answer these questions and to understand her family's ghosts, Kat unearths their sorrow and challenges the power structures of race, class, and gender. The result is an extraordinary new contribution to the literature of grief and the American family, and a provocative and transformative meditation on who we become under the specter of loss.